Revival
Tent: Preacher Lies to Choir, Choir Eats it Up
Marjoe
by Michael Atkinson
January 10th, 2006 2:10 PM
In 1972,
Sarah Kernochan and Howard
Smith's
Marjoe
was enough of an eye-opening sensation to make news of
itself and Oscar winners of its creators; then, presidents
did not hold prayer meetings in the White House, and 24-hour
evangelical TV stations did not broadcast coast-to-coast.
Honest- to-God Pentecostals were a
subcultural stratum educated documentary watchers had
never seen before, and the movie is frank about its
mondo- Jesus perspective, gazing
upon the howlers, shakers, tongue speakers, and weepers as
if they were the leaf-clothed Liawep
"lost tribe" of Papua New Guinea. In 2006, this
condescension seems only mildly differentiated from "exotic"
travel docs of the 1930s (as opposed to the gimlet-eyed
rigor of Werner Herzog's 1980
featurette God's
Angry Man)—that is, unless you worry in the dead
of night, like I do, about the bottomless capacity for
Americans to ignore fact and embrace bullshit.
The
film's focus, Marjoe
Gortner, is by now something of
a quasi-celebrity icon: Notorious in mid-century as the
"world's youngest ordained minister,"
Gortner returned to preaching in the late '60s as a
simple source of easy shuck money. (From there, in a life
path suggesting the need for a
Marjoe
2, Gortner became a
recording artist and B-movie actor specializing in rapists
and psychos; in 1976 he was battling fake giant rats in a
film version of H.G.
Wells's
The Food of the Gods.)
Gortner's participation in
Kernochan and Smith's movie is a
crucial matter: Lookin' to get
out, Gortner admits he's a fraud
and atheist, and derisively briefs the film crew on the
meetings' conservative norms and codes before they commence.
When the holy-rolling is in full swing, only the crowds of
middle-American spirit receivers are oblivious to
Gortner's hucksterism.
The old
promotional footage of Gortner
and his mom (who trained him, abusively, from
toddlerhood in the art of
Christian crowd madness) has an eerie, Ed
Woodian mutant aura, but the
hypnotized Nixon-era supplicants
Gortner anoints as an adult are only nominally less
otherworldly. Gortner was
self-disgusted enough to go public and therein ensure his
departure from the lifestyle for good—but was he an
insincere aberration, or are evangelists all con men? Once
Pat Robertson earnestly stumps to his 800,000 nightly
devotees that Hugo Chávez should
be murdered in cold blood, you have to ask, does it matter?
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